Saturday, September 30, 2017

Cerebus - final thoughts

I have finally finished the last collection of the Cerebus series - The Last Day.

  While it was good to have read the whole series, I still feel that where I had originally stopped was probably a good spot for me.  I had originally read Cerebus, High Society, and Church & State 1 + 2.  I stopped before Jaka’s story.

I liked the parody parts in the first two, and loved the supporting characters of Lord Julius, Elrod, the Roach, and even Red Sophia.  I feel that he had nailed the look and character of Groucho Marx for Julius.  I hadn’t read Elric but knew of him, and thought he was sufficiently mocked as an overly serious character by giving him the speech pattern of Foghorn Leghorn for Elrod.  The Roach was the parody of the then-current comic industry, and Red Sophia was Cerebus’ Red Sonja.
Even though everyone raves about Jaka’s Story, when I finally read it, I wasn’t as impressed.  Heroes are defined by their struggles.  When they have achieved their goals, their story becomes less interesting.  I was never as smitten with Jaka as most of the readers seemed to be.
Cerebus becomes a series where the footnotes are as important as the regular story.  The research clearly shows.  I can’t compare the Oscar Wilde, Hemmingway, or Fitzgerald likenesses, but the Stooges, Woody Allen, and Marty Feldman are spot on, and even the young Mick and Keith are recognizable.
  Sim’s outlook and views have changed during the course of the series and it spills into the series.  Some people lose their minds about Sim writing the character Dave into the series and espousing ‘his’ views, but Sim is very meta about it, Dave is clearly a character.  Any resemblance to the views held by the character are carefully controlled by the author.  Some people have trouble separating the character Dave from the author Dave Sim.
Granted, I read these all after the fact, collected safely into tradebacks.  On a month-by-month basis, Sim was very interactive with his readers through the letters’ column.  Remember, this was in the pre- and early-internet days, and being able to speak and argue directly with the writer was an oddity.
The writing was often daring.  In the midst of the stories, with it spinning off on a tangent, the readers weren’t sure where it was going.  Collected, you can flip ahead to see where the threads lead, but as issues, the monthly wait must have been both exciting and frustrating.  I mean, we knew how it would end as that was foretold to Cerebus back in but the path to that destination left a lot of room for wandering.

My final thought on the series?  I’m good with it.  Even though I didn’t enjoy it as much after the Church & State storyline, I don’t mind buying and reading through the rest of the series.  At the very least, to help support a Canadian artist who was at the forefront of creator owned, and published books.  He may not have always been likeable but he was a champion for creator rights.
A 300 issue epic, written and drawn by the same creative team is not something that we are likely to see repeated often, if again.  To publish it as well, and keep all of it in print, is a milestone that will not often be passed.  The entire series fits nicely onto a shelf or into a short box if you’re tight for space. You can follow along with what he’s currently doing, like the Cerebus In Hell project or the , on the website A Moment of Cerebus.

Thanks, Dave Sim, for Cerebus, and letting us get to know you on this journey.  And thanks again for the sketch from 1994 at the Central City Distributors trade show in St. Louis.  I wish you good things on your way.

The ‘phone books’ are:
Cerebus – covers issues 1 - 25
High Society – covers issues 26-50
Church & State volume 1 – covers issues 52-80
Church & State volume 2 – covers issues 81-111

Jaka’s Story – covers issues 114-136
Melmoth – covers issues 139-150 (Oscar Wilde)

There is also a comic Cerebus Zero which collects the ‘missing’ issues which are not collected above – 51, 112-113, 137-138.

The Mothers and Daughters storyline is broken up into four smaller books.
Flight – covers issues 151-162
Women – covers issues 163-174
Reads – covers issues 175-186
Minds – covers issues 187-200

Guys – covers issues 201-219
Rick’s Story – covers issues 220-231

Going Home – covers issues 232-250 (Fitzgerald)
Form and Void – covers issues 251-265 (Hemingway)

Latter Days – covers issues 266-288 (Stooges, Woody Allen)
The Last Day – covers issues 289-300

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